10,099 Royalty-Free Audio Tracks for "The Four Seasons (vivaldi)"

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Winter from Vivaldi's Four Seasons performed by the Air Force Strings of the United States Air Force Band. Jessica Dan on Violin. Track 5 from Wintertime (1999).

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Four on the floor on the high hat.

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

Vivaldo's Spring from the Four Seasons-Allegro by Free Tim

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

6/8 clave rhythm.

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550

L'Estro Armonico, Op. 3, Concerto No. 2 in G minor for two violins, cello and strings, RV 578

L'Estro Armonico, Op. 3, Concerto No. 5 in A major for two violins and strings, RV 519

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

L'Estro Armonico, Op. 3, Concerto No. 6 in A minor for a violin and strings, RV 356

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An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V/V-V-I in C, in four-part harmony.

Example of melodic minor from the opening of Vivaldi's Concerto grosso, RV 578, Op.3/2.

ii-V-I turnaround in C, in four-part harmony.

Schubert Fantasia in F minor bars 98-106

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Dominant eleventh chord in four-part writing.

Vivaldi Winter from the Four Seasons

RV 549 L'Estro Armonico, Op. 3, Concerto No. 1

Vivaldi, Summer from the Four Seasons, bars 26-30

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Piano Sonata No. 21, 1st movement, second subject

Scott Joplin - 04 - The Entertainer 1902 piano roll

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains. Tradycyjna kongijska piosenka w języku lingala nagrana w 1931 roku podczas międzynarodowej wystawy kolonialnej (fr. exposition coloniale internationale) w Paryżu. Čeština: Tradiční píseň z Konga v jazyce ngalština předváděná v roce 1931 na výstavě Paris Colonial Exposition v Paříži. Traditional Congolese song in Lingala recorded in 1931 at the Paris Colonial Exposition. Македонски: Конгоанска народна песна на јазикот лингала. Снимка од Париската колонијална изложба, 1931 г. Традиционная конголезская песня на лингала, записанная в 1931 году на Парижской колониальной выставке.

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains.

Chant de féticheur Lari accompagné au nsambi (pluriac) ; recueilli et enregistré par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

Chants de féticheur du Moyen-Congo ; recueillis et enregistrés par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

Musique traditionnelle. Balouka : danse Bembe du Moyen-Congo ; recueillie et enregistrée par H. Pepper ; quatre chanteurs accompagnés du luth Ngonfi

Musique traditionnelle. Il est allé se baigner : chant de féticheur du Moyen-Congo [accompagné au nsambi (pluriac)] ; recueilli et enregistré par H. Pepper.